It’s 2002 and 2008 and 2012 and 2023 and the Millennials collectively, the entire generation, have rented a cement mixer the size of a global recession from Jean Twenge’s cousin who works in the building trade making a buttload of dough renovating subprime mold-farm homes and turning them into hot commodities with some fresh sheetrock and gentrification gray paint and a sheet or two of brightly-colored metal siding for “curb appeal.” On one side of the mixer is emblazoned the word “Time” in Vantablack spray paint. On the other, smeared in feces and blood, is the word “Culture.” The Millennials excitedly crowd around this two-named mixer like it’s churning out unviable yet charming third-party candidates. And this is no ordinary mixer. It’s state-of-the-art and the art consists of taking in hopes, fads, fears, archetypes, myths, and generation-defining themes and mixing them all up into something sturdy for future generations to crawl then ...
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